The Mongol army led by Genghis Khan subjugated more lands and people in twenty-?ve years than the Romans did in four hundred. In nearly every country the Mongols conquered, they brought an unprecedented rise in cultural communication, expanded trade, and a blossoming of civilization. Vastly more progressive than his European or Asian counterparts, Genghis Khan abolished torture, granted universal religious freedom, and smashed feudal systems of aristocratic privilege. From the story of his rise through the tribal culture to the explosion of civilization that the Mongol Empire unleashed, this brilliant work of revisionist history is nothing less than the epic story of how the modern world was made.
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Who formed the first modern nation?
Who created the first literate society?
Who invented our modern ideas of democracy and free market capitalism?
The Scots.
Mention of Scotland and the Scots usually conjures up images of kilts, bagpipes, Scotch whisky, and golf. But as historian and author Arthur Herman demonstrates, in the eighteenth and nineteenth centuries Scotland earned the respect of the rest of the world for its crucial contributions to science, philosophy, literature, education, medicine, commerce, and politics—contributions that have formed and nurtured the modern West ever since.
Arthur Herman has charted a fascinating journey across the centuries of Scottish history. He lucidly summarizes the ideas, discoveries, and achievements that made this small country facing on the North Atlantic an inspiration and driving force in world history. Here is the untold story of how John Knox and the Church of Scotland laid the foundation for our modern idea of democracy; how the Scottish Enlightenment helped to inspire both the American Revolution and the U.S. Constitution; and how thousands of Scottish immigrants left their homes to create the American frontier, the Australian outback, and the British Empire in India and Hong Kong.
How the Scots Invented the Modern World reveals how Scottish genius for creating the basic ideas and institutions of modern life stamped the lives of a series of remarkable historical figures, from James Watt and Adam Smith to Andrew Carnegie and Arthur Conan Doyle, and how Scottish heroes continue to inspire our contemporary culture, from William “Braveheart” Wallace to James Bond.
Victorian historian John Anthony Froude once proclaimed, “No people so few in number have scored so deep a mark in the world’s history as the Scots have done.” And no one who has taken this incredible historical trek, from the Highland glens and the factories and slums of Glasgow to the California Gold Rush and the search for the source of the Nile, will ever view Scotland and the Scots—or the modern West—in the same way again. For this is a story not just about Scotland: it is an exciting account of the origins of the modern world and its consequences.
“The point of this book is that being Scottish turns out to be more than just a matter of nationality or place of origin or clan or even culture. It is also a state of mind, a way of viewing the world and our place in it. . . . This is the story of how the Scots created the basic idea of modernity. It will show how that idea transformed their own culture and society in the eighteenth century, and how they carried it with them wherever they went. Obviously, the Scots did not do everything by themselves: other nations—Germans, French, English, Italians, Russians, and many others—have their place in the making of the modern world. But it is the Scots more than anyone else who have created the lens through which we see the final product. When we gaze out on a contemporary world shaped by technology, capitalism, and modern democracy, and struggle to find our place as individuals in it, we are in effect viewing the world as the Scots did. . . . The story of Scotland in the eighteenth and nineteenth centuries is one of hard-earned triumph and heart-rending tragedy, spilled blood and ruined lives, as well as of great achievement.”
—FROM THE PREFACE
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"I am a Scotsman," Sir Walter Scott famously wrote, "therefore I had to fight my way into the world." So did any number of his compatriots over a period of just a few centuries, leaving their native country and traveling to every continent, carving out livelihoods and bringing ideas of freedom, self-reliance, moral discipline, and technological mastery with them, among other key assumptions of what historian Arthur Herman calls the "Scottish mentality."
It is only natural, Herman suggests, that a country that once ranked among Europe's poorest, if most literate, would prize the ideal of progress, measured "by how far we have come from where we once were." Forged in the Scottish Enlightenment, that ideal would inform the political theories of Francis Hutcheson, Adam Smith, and David Hume, and other Scottish thinkers who viewed "man as a product of history," and whose collective enterprise involved "nothing less than a massive reordering of human knowledge" (yielding, among other things, the Encyclopaedia Britannica, first published in Edinburgh in 1768, and the Declaration of Independence, published in Philadelphia just a few years later). On a more immediately practical front, but no less bound to that notion of progress, Scotland also fielded inventors, warriors, administrators, and diplomats such as Alexander Graham Bell, Andrew Carnegie, Simon MacTavish, and Charles James Napier, who created empires and great fortunes, extending Scotland's reach into every corner of the world.
Herman examines the lives and work of these and many more eminent Scots, capably defending his thesis and arguing, with both skill and good cheer, that the Scots "have by and large made the world a better place rather than a worse place." --Gregory McNamee
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Mindy Aloff, a leading dance critic who has written for The Nation, The New Republic, and The New Yorker, has brought together here a marvelous book of stories by and about dancers--entertaining and informative anecdotes that capture the boundless variety and richness of dance as an art, a tradition, a profession, a pastime, an obsession, a reality, and, for the dancer, an ideal.
George Balanchine is here, and so are Fred Astaire, Margot Fonteyn, Rudolf Nureyev, Savion Glover, Martha Graham, and Lola Montez, and also stars from other arts--such as Akira Kurosawa and Bob Dylan--who have spoken about dancing with wit or illumination. There are stories about Irene and Vernon Castle, Cyd Charisse and Gene Kelly, Bob Fosse and Gwen Verdon, Paul Taylor and Mark Morris. We read about the charisma and spontaneity of Anna Pavlova, about the secret to Vaslav Nijinsky's success ("I worked like an ox and I lived like a martyr"), about George Balanchine racing to a union dispute with a bag of dimes. Many of the stories are amusing, but some are rueful, even sad, and a few are dark. Aloff concludes the volume with an essay about how dancing has been able to record its past, sometimes over centuries, and about how the art of the dancer, apparently as ephemeral in performance as cloud patterns, turns out, when conditions are hospitable, to be much more hardy and resilient than many people suppose.
A glorious promenade of stories that stretch as far back as classical times and as far afield as Japan, India, and Java, this superb collection will be treasured by everyone who loves dance, whether young or old.
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This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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The right of the middle man has house, in fact his parents' there. They live well, different world. The right man is actor, now in broadway?.
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